Zevon also formed a band with Peter Buck, Mike Mills and Bill Berry of R.E.M. Zevon promoted Sentimental Hygiene extensively and subsequently built upon his reputation with the finely-produced Transverse City, his last album for Virgin Records, and the rather hit-or-miss Mr. Never self-pitying, Zevon could afford a satiric glimpse at his own situation in ∝etox Mansion: Well its tough to be somebody/And its hard to fall apart/Up here on Rehab Mountain/We gonna learn these things by heart. Zevons power was not lost among the star credits and shone through on a powerful set of songs, several of which brutally detailed his fight back from alcoholism. ), Bob Dylan, Don Henley (formerly of the Eagles), Jennifer Warnes and Brian Setzer (ex-Stray Cats). He returned in 1987 with Sentimental Hygiene, a welcome return to top form, which featured a new array of guest stars including Neil Young, Michael Stipe and Peter Buck (from R.E.M. During the interim, he underwent counselling and therapy for his long-standing alcoholism. This concept album sold poorly and was the last major work from Zevon for five years. A superb live album (Stand In The Fire) was followed by the much neglected The Envoy. Zevons ability to attract the interest and respect of his songwriting contemporaries was once more emphasized by the presence of Bruce Springsteen, with whom he co-wrote Jeannie Needs A Shooter.Īlthough Zevon seemed likely to establish himself as one of the prominent singer-songwriters of the 80s, personal problems would soon undo his progress.
Zevons vision was permeated with images of incest and disease: ∝addys doing sister Sally/Grandmas dying of cancer now/The cattle all have brucellosis/Well get through somehow. Gorilla Youre A Desperado was a humorous attack on LA consumerism, while Play It All Night Long was an anti-romantic portrait of rural life that contrasted markedly with the prevailing idyllic country rock mentality. 2 and Wild Age were complemented by Zevons biting satire which was by now unmatched by any American artist, bar Randy Newman. The classical overtones of the title track, Interlude No. Again, it was the sheer diversity of material and mood that impressed. Zevon tackled American politics and history on Roland The Thompson Gunner (co-written with former mercenary David Lidell) and Veracruz, wrote one of his finest and most devastating love songs in √ccidentally Like A Martyr, and employed his satiric thrust to the heart on ∞xcitable Boy and the US Top 40 hit Werewolves Of London.Ī superb trilogy of Zevon albums was completed with Bad Luck Streak In Dancing School which was most notable for its inventive use of orchestration.
The production was confident and accomplished and the range of material even more fascinating. The follow-up Excitable Boy was released two years later and revealed another astonishing leap in Zevons musical development. Linda Ronstadts cover version of Hasten Down The Wind also brought Zevon to the attention of a wider audience. The material ranged from the piano-accompanied ∟rank And Jesse James to the self-mocking singalong Poor Poor Pitiful Me, the bittersweet ∜armelita, and the majestic sweep of ∝esperados Under The Eaves with superb harmonies arranged by Carl Wilson. Produced by Jackson Browne, the work featured the cream of LAs session musicians and included guest appearances from Lindsey Buckingham, Stevie Nicks and Bonnie Raitt. Warren Zevon was a highly accomplished work, which revealed its creators songwriting power to an exceptional degree.
He subsequently appeared uncredited on their album Stories We Could Tell and also guested on Phil Everlys three solo albums.īy the early 70s, Zevon was signed as a songwriter by entrepreneur David Geffen, and finally released his long-awaited second album in 1976. When the album failed to sell, Zevon took a job on the road as musical director to the Everly Brothers.
When did warren zevon die movie#
One track from the album, She Quit Me, was featured in the movie Midnight Cowboy. By the late 60s, he was signed to Imperial Records and recorded an inauspicious debut, Zevon: Wanted Dead Or Alive, produced by Kim Fowley. He recorded several singles for the Turtles label White Whale, including a version of Bob Dylans If You Gotta Go, as Lyme And Cybelle. After moving to the west coast, where he sought work as a songwriter in the mid-60s, Zevon wrote songs for the Turtles and Nino Tempo And April Stevens. 7 September 2003, Los Angeles, California, USA. Warren William Zevon, 24 January 1947, Chicago, Illinois, USA, d.
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